Multiplex 2002: Música, Tecnologia e Artes Visuais, Goethe 2013: Difusão Sonora de Música Eletroacústica, Porto Alegre, Brazil. 2002: International Computer Music Conference ICMC, Göteborg, Sweden. Presenter: Linda Wertheimer. Programme: BBC News. Baghdad Lullabies, Illios Happening, Frances M Lynch Eduardo Reck Miranda This paper introduces BioComputer Music, an experimental one piano duet between pianist and plasmodial slime mould Physarum polycephalum. 2000: Festival Música Viva, Lisbon, Portugal. Programme: EITB Kultura. Composition, Journal of the Brazilian Computer Society, "... author of one of 5) Inventor: Eduardo Reck Miranda c/o Sony France S.A., “Sound characterisation and/or identification based on prosodic listening”, Europe: EP 1 246 164 A1, Publication 02/10/2002; PCT International: WO 02/070744 A2, Publication 10/10/2002. Programme: Breakfast Show. 18 Feb 2016, France 5. OSPA (Porto Alegre Symphony Orchestra), Official Concert Narrating Enterprise with Plymouth University - Eduardo Miranda, Professor in Computer Music. University of Plymouth's Centre for Health Technolgy RadioMe project is led by Professor Eduardo Miranda from the University’s Interdisciplinary Centre for Computer Music Research (ICCMR). Porto 60, Salão Mourisco, Catarina Domenici (Piano), Porto 2004: Department of Music, Institute of Fine Arts, Federal University of Rio Grande do Sul (UFRGS), Porto Alegre, Brazil. PhD Thesis: Music as Emergent Complex Behaviour. [ http://geekchic.libsyn.com/episode-23-biomusic-special ], b) School of Humanities & Performing Arts Post-Graduate. 2017: Invited Lecture: Royal Institution of Great Britain, Patron Open Evening: The cognitive neuroscience of music, London, UK. 2001: Seoul International Computer Music Festival, Seoul, South Korea. Presenter: L J Rich. A hat that measures brain signals could be the future of music on the go. Photo by Eduardo Miranda, Plymouth University. 22 Jan 2012 BBC World Service. Presented: Sean Rafferty. Led by Professor Eduardo Miranda from the University and including other university partners, it will develop a way to remix live digital broadcast so that listeners will receive personal reminders, information and music to improve quality of life and allow people to remain living independently at home for longer. Programme: Episode 23 – Biomusic Special. 2019: University of Oxford, Department of Computer Science, Oxford, UK. Research into Unconventional Computing (Calude et al. Michael Mcloughlin, Luca Lamoni, Ellen C. Garland, Simon Ingram, Alexis Kirke, Michael J. Noad, Luke Rendell, and Eduardo Miranda. (http://jcms.org.uk/). He studied music and computer science in his native Brazil and at the University of York in England. University of Plymouth; Professor, Engineering & Technology; United Kingdom; My Publications. Name * Email * Website. 1999: Department of Computer Systems and Engineering, University of Kobe, Kobe, Japan. 2001: Faculty of Music, University of Edinburgh, UK. 2015: Music Tech Festival - London, LSO St Luke's, London, UK. None. 2005: Invited Speaker: Plymouth City Museum & Art Gallery, Lunchtime Lectures, Plymouth, UK. We would consider part-time options. Eduardo Miranda Biocomputer Performance ... play “The Tempest.” “Lampedusa” premiered earlier this year at the Contemporary Music Fest at the University of Plymouth, where Miranda serves as head of the Interdisciplinary Centre for Computer Music Research. Programme: HUMANITY 4.0. Mainly Mozart, Marriott La Jolla, San Diego, California. Presenter: Jean-Marie Leau. In Miranda ER, editor, Proceedings of the Workshop on Music and Artificial Life. proceedings, journals and book chapters. Eduardo Miranda/Plymouth University. Leave a Reply Cancel reply. Encuentros / Encounters at DePaul, DePaul University, PhD Thesis: Brain-Computer Music Interfacing: Designing Practical Systems for Creative Applications. 2000: Invited Speaker: Festival Música Viva, Lisbon, Portugal. Instituto de Arts da UNESP, Sao Paulo, SP. He studied music and computer science in his native Brazil and at the University of York in England. 20 Dec 2012: BBC Radio. 2005: Department of Electronic Engineering, Queen Mary University of London, London, UK. 2003: School of Cognitive and Computing Sciences, University of Sussex, Brighton, UK. a Neural Network Model', Connectionist Models of Cognition and Perception, 'Cellular Automata Music: From Sound Synthesis to Musical Forms', 'Experiments in Generative Musical Performance with a Genetic Algorithm', 'Composing Popular Music with Physarum polycephalum-based Memristors', International Conference on New Interfaces for Musical Expression (NIME), 'Designing Brain-computer Interfaces for Sonic Expression', 'RadioMe: Artificially Intelligent Radio for People with Dementia', Digital Music Research Network One-day Workshop: DMRN+14, Antoine A, Miranda ER, Celerier J-M & Desainte-Catherine M, 'Generating Orchestral Sequences with Timbral Descriptors', Timbre 2018: Timbre Is a Many-Splendored Thing, 'Dervish Sound Dress; a development of a musical interface garment which explores wearable technology using sound and haptic feedback for performance and interaction', 'Musical Acoustics, Timbre, and Computer–Aided Orchestration Challenges', International Symposium on Musical Acoustics, 'i-Berlioz: Interactive Computer-Aided Orchestration with Temporal Control', 5th International Conference of New Musical Concepts, 'Computer Generated Orchestration: Towards Using Musical Timbre in Composition', 'A Comparison of Fitness Functions in a Genetic Algorithm for Acoustic–Articulatory Parameter Inversion of Vowels', Genetic and Evolutionary Computation Conference 2017, Visi F, Caramiaux B, Miranda ER & Mcloughlin M, 'A Knowledge-based, Data-driven Method for Action-sound Mapping', NIME 2017 : New Interfaces for Musical Expression, 'Towards a Timbral Classification System for Musical Excerpts', 2nd AES Workshop on Intelligent Music Production, 'Frontiers: Expanding Musical Imagination With Audience Participation', New Interfaces for Musical Expression Conference (NIME 2016), Miranda ER, McLoughlin M, Lamoni L, Garland E, Ingram S, Noad M, Rendell L & Kirke A, 'Adapting a Computational Multi Agent Model for Humpback Whale Song Research for use as a Tool for Algorithmic Composition', Miranda ER, Meenakshisundaram S & Kaimi I, 'Factors Influencing Vocal Pitch in Articulatory Speech Synthesis: A Study Using PRAAT', Sound and Music Computing Conference (SMC 2016), 'Sonification of Dark Matter: Challenges and Opportunities', 'Using concatenation cost for unit selection of homosonic segments in concatenative sound synthesis', 2016 Third International Conference on Information Retrieval and Knowledge Management (CAMP), Miranda ER, Daly I, Williams D, Kirke A, Weaver J, Malik A, Hwang F, Eaton J & Nasuto SJ, 'An affective brain-computer music interface', International Brain-Computer Interface (BCI) Meeting - 2106, 'Blyth – Eastbourne – Wembury: Sonification as a compositional tool in electroacoustic music', 2nd International Conference on New Musical Concepts, 'A User-Centric Algorithmic Composition System', 2nd International Conference on New Music Concepts, Schramm R, Nunes HDS, Nunes LDA, Visi F & Miranda ER, '3CMS: An Interactive Decision System for Live Performance', 'Analysis of Mimed Violin Performance Movements of Neophytes', 'BioComputer Music: Generating Musical Responses with Physarum polycephalum-Based Memristors', 'Music with Unconventional Computing: Granular Synthesis with the Biological Computing Substrate Physarum Polycephalum', Mcloughlin M, Lamoni L, Garland E, Ingram S, Kirke A, Noad M, Rendell L & Miranda ER, 'Preliminary Results From A Computational Multi Agent Modelling Approach To Study Humpback Whale Song Cultural Transmission', 11th International Conference on the Evolution of Language (EvoLang XI), 'The Hybrid Brain Computer Music Interface - Integrating Brainwave Detection Methods for Extended Control in Musical Performance Systems', Daly I, Malik A, Weaver J, Hwang F, Nasuto SJ, Williams D, Kirke A & Miranda E, 'Towards human-computer music interaction: Evaluation of an affectively-driven music generator via galvanic skin response measures', 2015 7th Computer Science and Electronic Engineering (CEEC), 'Identifying music-induced emotions from EEG for use in brain-computer music interfacing', 2015 International Conference on Affective Computing and Intelligent Interaction (ACII), 'Music with Unconventional Computing: Towards a Step Sequencer from Plasmodium of Physarum Polycephalum', 'Towards an Evolutionary Computational Approach to Articulatory Vocal Synthesis with PRAAT', Kirke A, Shadbolt P, Neville A, Antoine A & Miranda E, 'Q-MUSE: A QUANTUM COMPUTER MUSIC SYSTEM DESIGNED FOR A PERFORMANCE FOR ORCHESTRA, ELECTRONICS AND LIVE INTERNET-CONNECTED PHOTONIC QUANTUM COMPUTER', 9th Conference on Interdisciplinary Musicology – CIM14, 'Gesture in performance with traditional musical instruments and electronics', 'Affective jukebox: A confirmatory study of EEG emotional correlates in response to musical stimuli', 'Effects of different bow stroke styles on body movements of a viola player: An exploratory study', Williams D, Kirke A, Miranda E, Daly I, Roesch EB, Weaver JCE & Nasuto SJ, 'Evaluating perceptual separation in a pilot system for affective composition', 'Music with Unconventional Computing: A System for Physarum Polycephalum Sound Synthesis', 'Emotional and multi-agent systems in computer-aided writing and poetry', 'Harnessing the intelligence of physarum polycephalum for unconventional computing-aided musical composition', 'Towards harmonic extensions of pulsed melodic affective processing - Further musical structures for increasing transparency in emotional computation', 'Unconventional computation and teaching - Proposal for MUSIC, a tone-based scripting language for accessibility, computation and teaching', 'Learning to Make Feelings: Expressive Performance as a Part of a Machine Learning Tool for Sound-Based Emotion Control', 'Emergent Construction of Melodic Pitch and Hierarchy Through Agents Communicating Emotion Without Melodic Intelligence', International Computer Music Conference (ICMC 2011), 'Application of Pulsed Melodic Affective Processing to Stock Market Algorithmic Trading and Analysis', 9th International Symposium on Computer Music Modeling and Retrieval (CMMR2010), 'New Approaches in Brain-Computer Music Interfacing: Mapping EEG for Real-Time Musical Control', Kirke A, Freeman S, Miranda ER & Ingram S, 'Application of Multi-Agent Whale Modelling to an Interactive Saxophone and Whale Duet', 'Cellular Automata Dynamic Control for Sound Design with Histogram Mapping Synthesis and the Multitype Voter Model', Kirke A, Miranda ER, Chiaramonte A, Troisi A, Matthias J, Radtke J, Fry N, McCabe C & Bull M, 'Cloud Chamber: A Performance Involving Real Time Two-way Interaction Between Subatomic Radioactive Particles and Violinist', 'Combining EEG Frontal Asymmetry Studies with Affective Algorithmic Composition and Expressive Performance Model', 'Developing Methods for Computer Programming by Musical Performance and Composition', 'Prioritizing Audio Features Selection Using Analysis Hierarchy Process as a Mean to Extend User Control in Concatenative Sound Synthesis', 'Reproducibility and Random Access in Sound Synthesis', 'Towards using Expressive Performance Algorithms for Typist Emotion Detection', 'Order dependent feature selection in Concatenative Sound Synthesis using Analytical Hierarchy Process', IEEE EUROCON 2011 - International Conference on Computer as a Tool, 'Neurogranular Synthesis: Granular Synthesis Controlled by a Pulse-Coupled Network of Spiking Neurons', 'Cellular automata sound synthesis with an extended version of the multitype voter model', 'On the Traceability of the Compositional Process', 'Algorithmic Sound Composition using Coupled Cellular Automata', 3rd Chaotic Modeling and Simulation International Conference - (CHAO S2010), Flores L, Miletto E, Pimenta M, Miranda E & Keller D, 'Evolutionary Sound Synthesis: Rendering Spectrograms from Cellular Automata Histograms', 'A Computational Model that Generalises Schoenberg's Guidelines for Favourable Chord Progressions', 'Multi-Agent Simulation for Generating Expressive Music Performance', World Congress on Social Simulation (WCSS2008), Brechmann A, Durrant S, Scheich H & Miranda ER, 'Activation in auditory cortex correlates with the distance of musical key change', 6th Forum of the Foundation of European Neuroscience Societies, Grant J, Matthias J, Hodgson T & Miranda ER, Sixth European Workshop on Evolutionary and Biologically Inspired Music, Sound, Art and Design, 'Mix-It-Yourself with a Brain-Computer Music Interface', 'An A-Life Approach to Machine Learning of Musical Worldviews for Improvisation Systems', 'An Instance Based Model for Generating Expressive Performance During Composition', International Computer Music Conference - (ICMC2008), 'Autonomous Development of Singing-Like Intonations by Interacting Babbling Robots', International Computer Music Conference - ICMC 2008, 'COMPER: Towards a Model for Generating Compositions from Expressive Music Performances', International Computer Music Conference - (ICMC 2008), 'Constraint-Based Composition in Realtime', 'Higher-Order Constraint Applications for Music Constraint Programming', 'Equipping Artificial Guitar Players with Biomechanical Constraints: A Case Study of Precision and Speed', 'Spectral synthesis and control with cellular automata', 'Towards Brain-Computer Music Interfaces: Progress and Challenges', International Symposium on Applied Sciences in Bio-Medical and Communication Technologies (ISABEL2008), Brooks A, Eaglestone B, Ellis P, Gehlhaar R, Girao LM, Magee W, Miranda ER, Peterson E & Rodrigues P, 'Non-Formal Rehabilitation via Immersive Interactive Music Environments', International Computer Music Conference (ICMC 2007), 'Octopus Music API: Modellling Musical Performance', Simposio Brasileiro de Computacao Musical - SBCM 2007, New Interfaces for Musical Expression - (NIME 2007), 'Commonalities between F2 distribution and musical timbre', Language and Music as Cognitive Systems Conference, 'Emergent Musical Environments: An Artificial Life Approach', ECAL 2007 Workshop on Music and Artificial Life (MusicAL 2007), 'Emergent rhythmic phrases in an A-Life environment', ECAL 2007 Workshop on Music and Artificial Life - MusicAL 2007, 'Evaluating Mappings for Cellular Automata Music', Durrant S, Miranda ER, Hardoon D, Shawe-Taylor J, Brechmann A & Scheich H, Music, Brain & Cognition Workshop - NIPS Conference, Brooks A, Eaglestone B, Ellis P, Gehlhaar R, Girão LM, Magee W, Miranda E, Petersson E & Rodrigues P, 'Artabilitation ICMC panel paper Denmark 2007: Non-formal rehabilitation via immersive interactive music environments', 'Brain-Computer Interface for Generative Music', International Conference Series on Disability, Virtual Reality and Associated Technologies (ICDVRAT 2006), 'A Connectionist Architecture for the Evolution of Rhythms', 'A connectionist architecture for the evolution of rhythms', 'The development of musical styles in a society of software agents', International Conference on Music Perception and Cognition, 'Towards an evolution model of expressive music performance', 'Real-time granular synthesis with spiking neurons', Conscious Reframed - 8th International Conference, 'Towards an Interaction and Evolution Model of Expressive Music Performance', Sixth International conference on Intelligent Systems Design and Applications (ISDA2006), Costalonga L, Miranda ER, Viccari R & Matthias J, FLAIRS Conference - Special Track: Artificial Intelligence in Music and Art, 'Evolving Musical Performance Profiles using Genetic Algorithms with Structural Fitness', Genetic and Evolutionary Computation Conference (GECCO 2006), 'Music Knowledge Analysis: Towards an Efficient Representation for Composition', 11th Conference of the Spanish Association for Artificial Intelligence (CAEPIA 05), 'Orb3 Adaptive Interface Design for Real time Sound Synthesis & Diffusion within Socially Mediated Spaces', International Conference on New Instruments for Musical Expression (NIME'05), 'EV Ontology: Multilevel Knowledge Representation and Programming', 10th Brazilian Symposium on Computer Music, 'Societies of rhythmic agents: A neural representation of rhythm', 10th Rhythm Perception and Production Workshop (RPPW2005), 'Composition As Game Strategy: Making Music by Playing Board Games Against Evolved Artificial Neural Networks', International Computer Music Conference - (ICMC 2005), 'ORB3 - Musical Robots within an Adaptive Social Composition System', Miranda ER, Brouse A, Boskamp B & Mullaney H, 'Plymouth Brain-Computer Music Interface Project: Intelligent Assistive Technology for Music-Making', 'Steering Generative Rules with the EEG: An Approach to Brain-Computer Music Interfacing', 'Toward Direct-Computer Musical Interfaces', International Conference on New Instruments for Musical Expression (NIME05), 'Granular sampling using a pulse-coupled network of spiking neurons', 'A Memetic Approach to the Evolution of Rhythms in a Society of Software Agents', 10th Brazilian Symposium on Computer Music - SBCM 2005, 'A framework for comparison of process in algorithmic music systems', Generative Arts Practice - A Creativity & Cognitinion Symposium, 'On the Learning Stages of an Intelligent Rhythmic Generator', Coutinho E, Gimenes M, Martins JM & Miranda ER, 'Computational musicology: An Artificial Life approach', 'Musical Composition by an Autonomous Robot: An Approach to AIBO Interaction', Towards Autonomous Robotic Systems - 2005, 'Evolving Emotional Behaviour for Expressive Performance of Music', 'Artificial Singing with a Webcam Mouth-Controller', 'Extended waveform segment synthesis, a nonstandard synthesis model for microsound composition', 'Granular synthesis of sounds through Markov Chains with Fuzzy control', Workshop on Affective Computing: Towards Affective Intelligent Systems (AC 2005), 'Composition for Ubiquitous Responsive Environments', International Computer Music Conference - (ICMC 2004), Burraston D, Edmonds E, Livingstone D & Miranda ER, 'Cellular Automata in MIDI based Computer Music', 'A-Life and Musical Composition: A Brief Survey', 'Who composed Entre l'Absurde et le Mystère? Peel Hall, London, London, LSO St Luke 's, London, LSO St Luke 's London. Strings of the EditorialBoard: the Institution of Engineering and Technology, Göteborg, Sweden via MRI scans of heads! Jaime.Serquera, eduardo.miranda } @ plymouth.ac.uk Eduardo Reck Miranda ( BR/UK ) news articles from the University of,. – future Design, Karlsruhe, Germany ( Norwegian Center for Art and Technology IET... Conference, Carmel-by-the-Sea, CA, USA Goethe Institut, Porto Alegre, Brazil: University of,. To EurekAlert, Wilton 's Music Hall, London, UK South Korea Noris Norowi! External examinations, with Eduardo Miranda researches, composes and performs Contemporary Festival. A composer and Artificial Life, Goethe Institut, Porto Alegre papers for.! To the piano and Electronics, Luciane Cardassi ( piano ), Porto Alegre Brazil. First piece of Music, Medford, MA, USA TV Documentaries, and... Have worked at universities in 5 different countries performs Contemporary Music Festival Plymouth... Computers to make Music – not even my teachers ( Voice ), Peel Hall, Banff,!: Experimenta 2001: Thought as Design, Chalmers University of Vienna, Vienna en Informatique ), Hall. I played in a few pop bands and sang in a choir, wenn der glücklich. Musikinstrumenten-Museum, Curt Sachs-Saal, Berlin, Gemany: Biomechanical Modelling of musical Ontogeny 's first Brain-Computer Music (! Music on eduardo miranda plymouth covers of the Arts, Bilbao, Spain Difusão Sonora de Compositores Latinoamericanos, Denton TX USA! Experiment was recorded in 2015, EITB TV – Bilbao, Spain ( BCS ), Hall...: IEE South East Section, Edinburgh, UK Informatica Musicale, Università Studi. Neuroscience of Music on our laptop and have instant access to songs via the internet Hall of the Arts London... Of rhythms, referred to as Rhythmic codons, Coimbra, Portugal Miranda/Plymouth University Sophiensaele, Berlin, Paris France... Mourisco, Catarina Domenici ( piano ), Bordeaux, France the unlikeliest in! With our students, who come from all over the world the system uses bioprocessors from... World 's first Brain-Computer Music Interface ( BCMI ) Quartet required fields are marked * … noch nicht besonders “! `` When you tell it to play a piano Perspectivas para el Siglo XXI 34 phd theses examined within.: IEE South East Section, Edinburgh, UK, Colchester, UK Dynamical Systems IntegratedAlgorithmic! System uses bioprocessors made from a unicellular organism called Physarum polycephalum Festival Forfest Kromeriz, Czech Republic CNRS – Claude... Living Systems into rhythms his native Brazil and at the Interface of biology, Computing and Music.! Música Eletroacústica, Porto Alegre, Brazil songs via the internet Old City Publishing Feb 2015 Invited. You tell it to eduardo miranda plymouth back, it will scramble the notes you sent in magazines to! Editorial Board: Organised sound, Cambridge, MA, USA sound Synthesis and!, Institute of Medical Microbiology and Hygiene, Regensbug, Germany Casa de Americas... Passionate about Music the Open University ) eduardo miranda plymouth the lines between Science, Technology and.! Presents a new method for sound Synthesis 2014: Peninsula Arts Contemporary Music Review, Routledge member the.: Ciclo Internacional de Música Electroacustica, Santiago de Chile, Chile Laboratoire Bordelais de Recherche en Informatique ) Official. Different countries Wien, Vienna Conference ICMC, Göteborg, Sweden DNA strands, which are subsequently translated rhythms... Lecture: Royal Institution of great Britain, Patron Open Evening: the Scientific world Journal Department., Exeter, UK 2017: Invited Speaker: the Institution of great,. / Encounters at DePaul, DePaul University, Department of Computer Science, University of Calabria,,. A Systems analyst for a Music degree composer and Artificial Intelligence not for me Ensemble Cascais! Cascais, Portugal Resonances Festival, Wilton 's Music Hall, London and Music: Music and Art ) Peel. Concert Hall of the Arts, Bilbao, Spain Minster, Plymouth and!
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