& Coleman, K.S. The project considers the relationship between artist and subject and the need for the artist to be closer to their subject. From co-living with roommates, co-existing with the natural environment; co-operation of programs and the connection between interior and exterior environments, this new living model intends to redefine the boundaries between program, space and activity. Today, people are attracted to the city again for specific activities, such as developed institutions, hospitality and transportation. Interior Design Studio. Game spaces have been designed through the use of way-finding, thresholds and extending structural boundaries to help encourage people to come together. RMIT Centre for Design. Skills in using essential software are learnt through applied studio projects and students build vital experience using emerging technology applications and practices. Courses focus on building digital literacy so that graduates can continue learning as practitioners and be able to adopt new technologies as they emerge. Through techniques of framing, collaging, assemblage, photography and mapping, the qualities of the Landscape such as land, trees, water and sky are revealed, foregrounded and intensified. We entered 2020 already filled with anxiety and tragedy as bushfires raged and smoke blanketed cities. Interaction between people has been diminished, engagement with real spaces, real bodies, with proximity itself has been lost. This research major project is grounded within ideas of human connection and how we inhabit and utilise interior spaces. Well is the New Wealth emphasises the need to create interior environments that are not just pleasing to the eye but offer a sensory, emotional, and immersive experience. A dynamic symbiotic relationship occurs between the program and the natural environment – changes are echoed between the two and a deep seeded rapport emerges. As digital and physical converge, new qualities and opportunities occur. This research project asks how community connections can be maintained and strengthened in the context of this rapidly increasing population and urban density. The community centre design allows us to escape from stress of the digital world while helping us to maintain a balance between work and relaxation in our daily lives. The offering combines Wim Hof cold therapy wellness practices with tailored biophilic inspired atmospheric interiors to create immersive, rejuvenating experiences for the community. The work ultimately address two questions. The development the design process has come from others and my own material testing as well as application of theoretical ideas of unlearning and concepts of interiority. The project is sited as an extension of the Drummond Terraces, a mixed-use row of residential homes and commercial dwellings in Carlton. The shared physical social experience has been diminished by technological advancement and its impact realised once again with the emergence of the pandemic. DRAFTSPERSON. Many students have been isolated not only from friends but also families and their hometowns. The global disruptions of 2020 are a wake-up call. Here I draw inspiration from the principles of relational aesthetics which emphasizes the social interaction between audience members as well as Olaffur Eliasson’s immersive artworks that he argues are completed by audiences. This body of research practices collaboration to foster subjective but shared experiences around the site. This undertaking is an intensive and rigorous activity, that involves creative risk-taking, exploration of in-depth ideas and the development of a personal vision for practising interior design. Have the unchecked agencies afforded by online gaming – and associated social platforms such as Discord[1] and Twitch[2] – desensitised us to the repercussions of toxic online behaviour on others’ wellbeing? This project is the emergence of an expanded spatial practice that can be applied to other urban interiors and communities. As public venues are facing challenges to accommodate people and sociability, this research project explores how public spaces need to become more elastic and adaptable to the ‘new normal.’ This project is a critique of the value of café culture, post pandemic, and an exploration into adaptive spatial strategies through the redesign of a café. The work emphasizes little encounters, ordinary moments of looking and the dignity of the overlooked. Identifying the Anthropocene as a convergence of geological, technological and cultural forces, this research major project is situated within a petrochemical landscape; Burwood Highway in Melbourne. Through this process of engagement with a system the consumer turns carer of water and it is hoped, develops a greater awareness of its vitality. RMIT also acknowledges the Traditional Custodians and their Ancestors of the lands and waters across Australia where we conduct our business. Furthermore, the symposium opens up a greater discussion around the value of sound and deep listening in the context of interior design. In this sense the shift to INDEX 2020 as a multi-user virtual environment is no different – an interior response to a world pandemic and a city in lockdown. Anthony Fryatt, Program Manager This theatrical set is highly speculative and utilises objects and props that illustrate a moment in the seed process. Younghusband has been the focus site for an RMIT Interior Design studio led by Ariel Aguilera and Andrea Benyi from Melbourne design practice Pandarosa. The proposition thus takes the form of subtraction of existing knowledge based on the current spatial rhythms forced onto bodies by a capitalistic state. Architects: Edmond & Corrigan Pty Ltd (Design Architects) in association with The Demaine Partnership Pty Ltd. RMIT Building Facilities. RMIT is known for an expanded approach to interior design and we offer the oldest and longest-running program in Australia. To dismantle the rigidity of the boundary and create an opportunity for exchanges to occur between the residents of both cities, a proposal of an open adaptable system of floating structures change people's relationship with the river through new modes of interaction. With a primary focus on takeaway services, this series of hinged panels pushes in and out of the stores, expanding the densely populated and narrow laneway. We move back and forth between various locations with a clear purpose but lack the abilities to explore. Adjacent to a high school campus, this site can become a valuable asset for both students, parents and locals. Interior design has the power of influencing the psychological experience, and the pattern of behaviour of its users. In doing this, the design secondly dilutes the industrial near-past of the site, developing ways to bring changes in interior experience as a living history that unfolds though participation. The project aims to provide a positive and comfortable living and healing experiences for children who were hospitalised. In the west, we name the natural world ‘nature’, and so exclude ourselves from it. Grounded at home facing screens, the experience of participation in the physical world is being dulled, while subtle emotions and perceptions of virtual dimensions are being magnified. The Porous Boundary is about the relationship between human beings, architecture, and the environment. Students entering the Master have already completed a Bachelor degree in a cognate discipline and are looking to hone their skills and become more competitive for employment. Then COVID-10 spread across the world and continues to have devastating impacts. We are living in an uncomfortable situation and are lacking a sense of connection. OWNER & ARCHITECT. Never have we needed to be more aware of how bodies move through space and interact with each other. Shift and Stay enables the space where we own less but share and borrow more. This project aims to make art accessible to those who do not have access to regional and national galleries. It also allows people to express loose behaviour of movement in the existing site conditions. By understanding the way people move, with different materials the design seeks to improve the quality of interaction between one another and the market more broadly. This Major Project imagines life after COVID-19 and uses Swanston Street as site for activation to re-invigorate the city and provide new experiences for tourists and the locals of Melbourne. So which level is right for you? Can we implement something as subjective as value to dictate demolition, restoration and adaption? On the driest continent on earth, what could be more precious than fresh water…? The project aims to create an event out of temporal systems of support to produce cultural and creative infrastructure. As such, this project proposes a series of annex treatment spaces, inspired by the three parklands they reside in – Fawkner Park, Victoria Gardens and Alma Park – intended to extend the benefits of the hospital, and reshape the way in which a mental health treatment site could function in the future. This set of spatial conditions not only responds to the sites program, but also begins to touch on an underlying current global issue of physical proximities within the COVID-19 pandemic. The process of framing through these methods prompts us to reconsider how we see and respond to a space. Workshops provide access to a full range of analogue and digital fabrication tools, including laser cutters, 3D printers and robotic equipment. These methods can be called porous surfaces. This project re-imagines physical spaces for a digital audience. This speculative project challenges the convention of transitional spaces as liminal and considers techniques for encountering the urban interior through reimagining the way one navigates and negotiates the city. Through techniques for non-physical and physical connection, the project has engaged in ways to incite connection and belonging. From these associations with the existing materiality, new possibilities arise from the site. 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