Compact and lightweight, the AU-EVA1 is tailor-made for handheld shooting, but also well suited for documentaries, events, commercials, and music videos. The camera can record two tracks of audio and it features a pair of XLR audio inputs. 3.0 includes HEVC H.265 codec, IP live control & quick switch feature. An example of how this flexibility can be used would be an EVA1 recording in V-Log for post color grading; the camera LCD displaying the 709 monitoring correction with a waveform monitor exposure tool in the corner of the frame showing the V-Log levels for comparison and the on screen display data showing lens and color temperature info; the SDI output in 4K 10-bit 422 in V-Log with no data displayed going to a video recorder, and the HDMI output sending HD video with the monitoring correction applied and the clip name and timecode displayed feeding a video transmitter for a script supervisor and director to view. If shooting in V-Log, the monitoring Rec709 correction can be selected individually for any or all of the three outputs. The newly-designed EVA1 sensor is Super 35 sized (24.60mm x 12.97mm) with 5.7K resolution. The EVA1 is a professional production machine, and that means that it has proper professional features and controls in every aspect. It’s essentially a different way of reading the camera sensor and it gives it two different native ISOs or sensitivities. And for fast editing, the EVA1 offers ALL Intra compression (400 Mpbs)) for in-camera recording. A V-Log image appears pretty washed out on its own, so the EVA1 includes a standard Rec709 monitoring mode so that a normal color correction can be viewed while shooting. If you’re shooting a commercial, you might want large files, but still be able to view them on your laptop on set. MOV or AVCHD (4:2:0 8-bit) recording options or output RAW. If it’s just one person, he or she can view the shot on the adjustable LCD screen or set the SDI output to clone the display of the LCD to another monitor or viewfinder. The ability to capture accurate colors and rich skin tones is a must for any filmmaker. Second, there’s more color information. In shooting with lower light levels, you will save money, time, and you can shoot with more practical lights in your surroundings. EVA1 at 2500 ISO. The camera can record in several formats and compression rates, and offers up to 10-bit 422, even in 4K. The Shoulder Mount from SHAPE is a shoulder rig system with lightweight support (LWS) for the Panasonic AU-EVA1 camera. Enable remote control of select Panasonic cameras via your iOS / Android mobile device. You want it fully featured yet small and lightweight because the bigger your camera is, the bigger crane you would have to use, just like on a Steadicam. Gimbal devices like a [Freefly Systems] Movi or a [DJI] Ronin want a fully featured camera but in a small and lightweight package. Dual native 800/2500 ISO offers impressive sensitivity with low noise, while high-frame-rate recordings at 4K/60 fps and 2K/240 fps beckon with new creative possibilities, as does the IR (infrared ray) cut-filter ON/OFF mechanism for surreal IR footage in Cinematography mode. There are a few physical knobs and switches for audio level control right on the operator’s side of the camera, with an audio level display available on the LCD screen while viewing the image and several pages of fine detail control available in the menu of the EVA1. They’re of comparable quality, it’s really a question of workflow options. Find massive savings and other special offers on Panasonic professional video gear. With small DSLR cameras, you can’t comfortably change things as you’re rolling in a run-and-gun style and that’s a problem – you need to be able to adjust on the fly. The EVA1 uses its 6G SDI output to send RAW data to a separate recorder. Weighing only 1.2Kg (body-only) with a compact form factor (17cm x 13.5cm x 13.3cm) and a removable handgrip, EVA1 can be used for efficient handheld shooting applications and can also be mounted on a drone, gimbal rig, or jib arm for complex yet smooth camera moves. For several modes the EVA1 offers recording options in both All-I and LongGOP codecs. With EVA1, you get the dual advantage of having great capabilities while being lightweight and small. You can also do that on the EVA1, but if you just switch between the two native ISOs, they’ll look the same as far as the amount of noise. Dynamic range measures the luminance range that a digital camera can capture. That can be for a high-end production or a more modest production where it can be used for savings, or a stylistic choice. Panasonic AU-EVA1 - Compact 5.7K Super 35mm EF-Mount Cinema Camera The EVA1 contains a newly designed 5.7K Super 35mm-sized sensor for capturing true cinematic images. Thank you for your submission. The EVA1 is designed to be held up to your shoulder as opposed to way out in front of you, or at your waist. The EVA1 also allows the IR Cut filter to be swung out of the path to the sensor at the push of a button. And if you want the option to output RAW, the EVA1 is the only camera to offer 5.7K, 4K and 2K with a frame rate up to 240fps. See complete program terms, conditions and details at the link below or apply now to see if you qualify. The EVA1’s top frame rate is 60fps in DCI 4k. When Panasonic first introduced the Panasonic EVA-1 at a price point of 10K our curiosity was stimulated. The C200 captures Canon RAW Light to a CFAST 2.0 card or MP4s to dual SD cards. Why is my EVA1 camera displaying "BACKUP BATT EMPTY? Panasonic has built an enormous reputation in that product category. Panasonic have certainly done their homework and come up with a camera that, on paper at least, ticks a lot of boxes. In other cameras, you just dial the gain up to get more sensitivity, but you get a lot of noise in the image. It includes the BP0008 V-Lock Quick Release Baseplate with 8″ and 4″ 15 mm rod pairs, the V-Lock Replacement Pad, and the HAND3 Telescopic Handle for ARRI rosette. Its highest-level recording format, 4K 10-bit 422 All-I, is approved for all productions by Netflix. It captures 422 10-bit video to two SDXC V60 card slots. The usability of the camera is high, and the expense is kept at a minimum. When you start with more and get to less, more information comes through. There’s also One Shot Record, which enables single frame video for stop-motion capture. These files can then be seamlessly edited in Final Cut Pro X. There’s also a single frame record mode for shooting time lapse and a prerecord function for wildlife and sports. That’s just one scenario but there are lots of possibilities and for other cameras this level of flexibility would require a small cart of boxes and converters. Depending on the selected format we require cards that can do certain read and write speeds. Looking up at the Varicam range, Panasonic left a big gap. We had two EVA1 cameras, two Atomos Shogun Infernos and Nauticam housings for both set ups. By starting at a higher native resolution, the 5.7K sensor yields a higher resolving image … To get up to 240 fps, the frame is slightly cropped to 4.5K, sampled in half to 2.2K and then that 2.2K is oversampled to 2K or HD. LCD monitor brings touch-panel convenience and … $150. The 5. Without any of the accessories the camera weighs in at 1.2kg (2.6 lb), that’s only 475g (0.93lb) heavier than a GH5 with battery and memory card. It is designed to be a versatile machine that you can plug into a lot of different situations. The EVA1 offers a RAW output, up to 5.7k RAW to 3rd party recorders, including the Atomos Inferno (ProRes RAW) and Blackmagic Design Recorders (Blackmagic RAW). Panasonic says self-installment of a third-party PL mount will not void the camera’s warranty – just don’t do anything stupid, they say. With a body weight of just 1.2 kg (2.6 lb. The EVA1’s other recording modes allow 4K 10-bit up to 30 frames or 4K up to 60 frames in 8-bit. There will be full Iris Control, One-Push Auto Focus, and Lens Data. With an active resolution of 5720 x 3016, the EVA1 delivers more than 17.25 million photosites, nearly double the 8.8 million for 4K DCI (4096 x 2160) Records to readily-available, lower-cost SD cards in several formats and compression rates, and offers up to 10-bit 4:2:2, even at 4K resolution. The EVA1 shoots up to 5.7K on its super35 image sensor for $6,500. The EVA1’s sensor is a 5.7K sensor. The EVA1 can shoot internally to the SD cards in 4K up to 60fps and in 2K up to 240fps. down-sampled to 4K, UHD, 2K, or even 720p. Contains V-Log/V-Gamut capture to deliver high dynamic range and the colorimetry of the VariCam line. We have a full-fledged camera that’s designed for video production. Detachable handle and rotary grip, meanwhile, add a new dimension to mobility, enabling convenient camera attachment to drones and gimbals. Additionally, the increased color information results in a finer, more accurate finished image. And a lot of high-end production for narrative work needs the versatility of a camera like the EVA1. It’s very convenient for that style of shooting. Same goes for underwater housings, car rigs, or anytime you need to place a camera somewhere where you want a slimmed down unit that won’t get in the way. Lastly, it’s the closest to the EVA1 in weight at 3.2 pounds vs the EVA1’s 2.6 pounds. The EVA1’s Dual Native ISOs are 800 and 2,500, which will allow cinematographers to shoot in almost any lighting environment. V-Log delivers a very flat image while maintaining all of the color information within the image. The Lumix range is world-renowned. Hands on with the EVA1: Image Stabilization. *1: Functions to be supported by firmware update. First, you can shoot with zoom lenses when normally you would have to shoot with primes because zoom lenses generally aren’t as fast. Updates include 4K60p 10-bit capture, hardwired remote control via USB-Ethernet adapters, and the addition of a user button function for quick switching of shooting modes and frame rates. By doing this, EVA1 can shoot at 2K or HD and retain the full Super-35mm field of view of the sensor up to 120 fps and record in a 10-bit 422 codec. The larger body size of the camera, the design of the interface, and where the LCD is located all give you better access to the controls to make adjustments while rolling. Offered through Panasonic Business Finance this special promotion enables you to spread out the cost of your equipment upgrades, avoiding larger up-front costs and not freezing up your cash flow. The EVA1 allows the infrared (IR) filter to be removed and replaced with a clear filter for extreme low-light conditions as a simple end-user configuration. With the optional AG-VBR118 (7.28V 11800mAh/86Wh) battery, you will have approximately 3 hours 5 min of continuous operating time and a charge time of approximately 4 hours 40 min. For shoulder-mounted cinema operation, you can use the ARRI Pro Set for Panasonic EVA1.Or for a "run-and-gun" viewfinder solution, try the Zacuto EVA1 Gratical Eye Bundle.Selecting the ideal rig for your camera has never been easier, with various modular base plates, … We’ve risen the scale of the camera so now you have these high-end features and easier access to controls in a camera that is a more functional size for most shooters. The SHAPE Bundle Rig for Panasonic AU-EVA1 is a camera support system designed for the AU-EVA1 and suitable for handheld or shoulder-mounted shooting. For users of higher-level production machines, we’ve tried to be judicious in keeping as much professional functionality as possible into a compact form factor. 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